Monday, September 22, 2014
I hate to be the one to break the news, not that it should be news, but predictability breeds predictability. You can’t plan for surprise, or freshness, or originality. You can’t consciously choose those things either. The choice is not to be or not to be; the choice is to dance or not to dance. The best choices are those that arrive effortlessly through the natural movement of characters motivated by needs and fears, they are made by the story, by its music, atonal though it may be. What the story shows us, and what it goads us towards, is openness, effortlessness, spontaneity. It is never the story that resists these impulses, only ourselves, clutched by an unmanaged fear that were we free enough to let the story become whatever it might be, it would expose something better left hidden, thus opening us to attack or derision. It is a prospect many find too painful to even contemplate, and so they make story into a fortress instead of an escape plan.