No character is fully realised until we are able to imaginatively grasp what is unrealised in them. This cannot – for either the writer or the audience - be negotiated solely in terms of the intellect; It is contextual and sub-textual, and is - most profoundly - grasped emotionally, as one enters into those “spaces” that film can neither show nor tell but only suggest. The incompleteness of the characters meets our incompleteness and together – in our relationship with them, something more complete emerges. Their contradictions call out to our contradictions; their imperfections resonate with our own. Together, creatively, we strive to realise a truth that is framed in a story and conveyed by actions funded by the emotional energies that are present. It the exchange we are called upon to enlarge whatever judgements we are inclined to make about who and what they are or might be, as well as who and what we might be.
Billy Marshall Stoneking